Today In History
‘Kareem Abdul-Jabbar was born Ferdinand Lewis Alcindor, Jr. in New York City on this date in 1947. Jabbar was a star player for UCLA and became the NBA’s lifetime leading scorer. He also led the Los Angeles Lakers to five NBA titles.’
- CARTER Magazine
Did you really say, Ride lots? That quote’s been attributed to you.
Yeah. Did you ever say that? Actually? Everyone says, “Eddy Merckx says, Ride lots.”
What’s it mean, ride lots?
It means ride a lot.
Yes, I ride lots. Yes.
But do you know if you ever…I mean, that’s—people in America have T-shirts that say ride lots.
Yeah, ride lots. Yeah. Yeah. I ride lots…Ride lots.
— always good to get it right from the source
If it wasn’t a legit quote before, it can be one now. #ridelots
Whatever — the soup is getting cold.
THERE IS NO ONE WAY TO LIVE OR DIE: ‘DAYTRIPPER: THE DELUXE EDITION’ SKETCHBOOK
By Andy Khouri
Originally serialized in ten issues by Vertigo throughout 2010, Daytripper has since become known as the master work of Brazilian cartoonists and brothers Gabriel Bá and Fábio Moon. The gorgeously illustrated Daytripper employs (and in some cases innovates) the special language of comics to ends that are at once uplifting and devastating, creating a truly emotional journey into the soul of a man whose life, loves and home seem as intimate as your own.
Daytripper’s original issues won Eisner, Harvey and Eagle Awards, and its paperback collection became a New York Times bestseller. Soon to be available as a hardcover for the first time in the US, Vertigo’s Daytripper: The Deluxe Edition recompiles the story in an oversized edition with improved paper stock, a wraparound cover and a behind-the-scenes section containing sketches, layouts and other artwork by Bá and Moon from throughout the Daytripper creative process. Courtesy of Vertigo, ComicsAlliance is pleased to present an advanced look at that very special material in the gallery below, including the very first drawings created for Daytripper.
"Any reasonable ordering of the books must have The Last Battle as the final story, and must place Prince Caspian before The Voyage of the ‘Dawn Treader,’ since the latter is very straightforwardly a sequel to the former. Also, The Silver Chair cannot come before either of those books, since one of its main characters, Eustace, appears in Dawn Treader as a younger and very different sort of person from the one he is in The Silver Chair. Moreover, readers of the series will probably agree that The Horse and His Boy, being a largely self-contained story with minimal connections to the others - it is mentioned briefly in The Silver Chair, and the Pevensies appear in it briefly as rulers of Narnia - could be stuck into the sequence anywhere except the beginning and end. So the dispute really concerns only one question: should the sequence begin with The Lion, the Witch and the Wardrobe or The Magician’s Nephew?
The argument for The Magician’s Nephew is simple: since it describes Aslan’s making of Narnia, placing it at the beginning yields a biblical, Creation-to-Apocalypse arc for the series. The case for The Lion is more complex and much stronger. First of all, though Lewis spoke of altering the order of the books, he also spoke of needing to revise the books in order to remove inconsistencies - and if Nephew is read first, there will be many such inconsistencies. For one thing, we are told quite explicitly at the end of The Lion that its narrative is ‘the beginning of the adventures of Narnia’. For another, Lewis tells his readers that the children in The Lion do not know who Aslan is ‘any more than you do’; but of course the readers would know Aslan if they had already read Nephew. Moreover, much of the suspense in the early chapters of The Lion derives from our inability to understand what is happening in the magical wardrobe - but if we have read Nephew we will know all about the wardrobe, and that part of the story will become, effectively, pointless. Similarly, one of the delights of The Lion is the inexplicable presence of a lamp-post in the midst of a forest - a very familiar object from our world standing curiously in the midst of an utterly different world - and one of the delights of Nephew is the unexpected discovery of how that lamp-post got there. Anyone who begins with Nephew will lose that small but intense pleasure, the frisson of one of Lewis’s richest images.
If Lewis really and truly thought that the series was best begun with The Magician’s Nephew, he was simply mistaken. The original order of publication is the best for any reader wishing to enter Narnia.”